Fabfilter volcano sidechain8/8/2023 ![]() You also have velocity, pitch bend, Aftertouch, keyboard tracking and the like for additional MIDI sources, plus the ability to use a sidechain signal as a modulator or trigger source. The latter has a new transient mode that turns the Envelope Follower into a transient detector. You can click to add mod sources as needed and these include simple sliders and XY pads that can be used as Macros, XLFOs that can do basic shapes or be used as 16-step sequencers, ADHSR envelope generators, and envelope followers. The bottom of the GUI is where things get a little more complex, as you have an incredibly flexible and powerful modulation system with up to 100 slots. Or perhaps to have more than one reverb algorithm. Given how well the drive sings when driven by the filter settings, it would be nice to have a few different algorithms to help give a variety of saturated flavours. They’re all decent-sounding and the simple controls make them easy to use, although this also makes them slightly limiting from a sound design perspective. These include a reverb, delay with built-in filter and ping-pong, chorus with single or double options, a phaser/flanger, a tasty sounding drive that can be placed pre- or post-effects, and a useful compressor with auto gain to keep everything under control. On the right is the new effects section with six simple effects. ![]() In fact, all the envelopes have slope controls, which we’d love to see on every synth and sampler moving forward as they can really help to give you more control when dialling in movement. ![]() GUIīelow the filter, you have controls for portamento, master tune, and an ADSHR amp envelope graph with newly added slope controls. You then have cutoff and resonance offset dials, so you can move or modulate all four filters at once, and a unique touch adds panning for each, so you can get some quite intricate and wide-sounding patches. Alternatively, you could use all four to pick out some harmonic peaks, making it a highly flexible option for designing sounds. The four filters can be run in series or parallel, or assigned to each oscillator for the creation of some complex evolving sounds. We’re happy to report that this thing really screams when driven hard and you can get some lovely, rich-sounding sweeps that move satisfyingly through the sweet spot. There are then 11 filter styles including clean, raw, tube, smooth and extreme, and all have slightly different characteristics and harmonics, which are emphasised once you start to increase the resonance. You can double-click to add a new filter and then choose from a variety of shapes and slopes. This is put centre stage and is represented as a filter graph rather than with dials. Twin 3’s best feature is undoubtedly its beautiful-sounding filter, which is actually four filters in one. Of course, as with many things, spending some time learning each function will pay off greatly, and we were soon able to navigate it with ease. ![]() This is especially true of the powerful modulation section, although if you’ve used FabFilter plugins in the past then this should be familiar to you. This does take some getting used to though and, on first use, it’s not as intuitive as some other synths.
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